Chung Shih’s recent composition projects include

2006:
preparing a version of my open-form work, Singing Dragon . Autumnal Waters for Helen Bledsoe and Peter Veale of musikFabrik in Germany; composing a new work, Alban:Angel:Remember for solo viola for Adrienne Elisha (USA); designing a structured improvisation piece, Yuan, for German singer, Sigune von Osten and Chinese multi-instrumentalist, Wu Wei; and devising an experimental new work involving performance indeterminacy, InMemoryMoves, for Quake in Seattle, USA and frissions for Kia Hui Tan (USA-Singapore); Cargaku, a sound-video art collaboration with MLuM, selected for Computer Music Journal 2007 Computer Music DVD, 'Far and Wide', Volume 31:4 (MIT Press)

2007:
Kuang for guitar, pipa and oud commissioned by Rencontre Trio for 21st International Guitar Festival Fribourg, Switzerland; Untitled for singer and piano requested by Marco Schindelmann for University of Redlands School of Music Faculty Showcase concert; Mantra Imagine for SATB vocal ensemble commissioned by the Singapore National Arts Council for The Singers Vocal Ensemble; Mountain Bright for chamber ensemble of 14 players requested by faculty ensemble of School of Music, University of Redlands; Yuan for voice, guqin and accordion, performance with art and video installation at Pepper's Art Gallery, University of Redlands

2008

彳\彳|\行／彳行／亍 commissioned by the Singapore Chinese Orchestra; Victi-ry of Will, the Deafthetics of Bias; a collaborative sound art (8-channel) with MLuM for Zepplin 2008 Sound Art Festival, Barcelona, Spain; SoundWok, GIS project mapping the social network and aesthetic consciousness of Southern California upstream sonifier with Redlands Institute; 影音景DIN! a sound-visual installation commissioned by the National University of Singapore Arts Festival 2009; a concerto for sheng and double wind ensemble commissioned by the Encounter High WInds Ensemble, Malaysia

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