for 8-part choir or 8 solo voices (2 × SATB) · 2006, rev. 2024 · text by Alvin Pang
为八声部合唱团或八位独唱者而作(2 × SATB) · 2006,2024 修订 · 词:Alvin Pang
Alvin Pang’s everyday phrases glide and morph across eight voices, on the brink of change.
Alvin Pang 的日常语句,在八个声部之间滑移、变形,站在变化的边缘。
| Text 歌词 | on the brink by Alvin Pang, written for this work Alvin Pang 为本作而写的《on the brink》 |
|---|---|
| Listen 聆听 | ▶ Recording (audio) ▶ 录音(音频) |


The text, on the brink, was written specially for this composition by my friend, the poet Alvin Pang: a collage of fragmented everyday phrases.
歌词《on the brink》由我的朋友、诗人 Alvin Pang 专为这部作品而写:一幅由零碎的日常语句拼贴而成的作品。
Phonemes morph freely from one to the next, following pathways suggested by the vowel chart, while voices glide continuously between pitches — expressive, but distinct from glissando or portamento. In a choir with several singers to a part, each glides independently, blurring the line into a pitch ‘smudge’. Glides in several parts together form a continuously morphing chord, intensified when combined with phoneme morphing: a sound that answers the text’s subjects of evolution and instability, on the brink.
音素从一个自由地变形为下一个,沿着元音图所提示的路径;各声部则在音高之间连续滑移——富于表情,却有别于滑音或延音。若合唱团每个声部有多位歌者,各人独立滑移,使旋律线模糊成一片音高的“晕染”。多个声部同时滑移,形成一个不断变形的和弦,与音素的变形结合时效果更为强烈:以此回应歌词中“演化”与“不稳定”的主题——在边缘之上。

2006 — premiere: New York Virtuoso Singers, Miller Theatre, New York City.
2006——首演:纽约 Virtuoso Singers,纽约市 Miller 剧院。
21 October 2018 — Taipei Chamber Singers, conductor Yun-Hung Chen, National Recital Hall, Taipei.
2018年10月21日——台北室内合唱团,指挥 Yun-Hung Chen,台北国家音乐厅演奏厅。
2025 — revised version (2024): SYC Ensemble Singers, Esplanade Recital Studio, Singapore.
2025——修订版(2024):SYC Ensemble Singers,新加坡滨海艺术中心。
For scores, performance materials and other enquiries:
chungshih@chungshih.info
乐谱、演出资料及其他查询:
chungshih@chungshih.info