for viola and piano · 2019 · part of the Frissons series
为中提琴与钢琴而作 · 2019 · 《Frissons》系列之一
Stockhausen’s zodiac as portals: keyboard impulses and string frissons, troped like a medieval motet.
以施托克豪森《黄道十二宫》为入口：键盘的脉冲与弦乐的颤栗，如中世纪经文歌般加注。
| Premiere 首演 | 9 March 2019 — Bertram Wee, piano; Christoven Tan, viola. Project IDIOM, Esplanade Recital Studio, Singapore 2019年3月9日——Bertram Wee（钢琴）；Christoven Tan（中提琴）。Project IDIOM，新加坡滨海艺术中心 |
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| Listen 聆听 | ▶ Bertram Wee and Christoven Tan, 2019 (video) ▶ Bertram Wee 与 Christoven Tan，2019（视频） |
As its full title, cs: bw{i’mpulses (ks:capricorn+taurus) frissons}ct, expresses, this is a composition organised by the composer (cs) from two of his works — i’mpulses for keyboard and Frissons for solo or multiple strings — around two of Stockhausen’s Tierkreis pieces, Capricorn and Taurus, in collaboration with the pianist Bertram Wee (bw) and the violist Christoven Tan (ct). The concept is inspired by the medieval clausula and motet, with their troping and isorhythmic techniques.
正如完整标题《cs: bw{i’mpulses (ks:capricorn+taurus) frissons}ct》所表达的，这是由作曲家（cs）以他的两部作品——键盘作品《i’mpulses》与为独奏或多把弦乐器而作的《Frissons》——围绕施托克豪森《黄道十二宫》中的两首《摩羯座》与《金牛座》组织而成，并与钢琴家 Bertram Wee（bw）及中提琴家 Christoven Tan（ct）合作完成。其构想取自中世纪的克劳苏拉与经文歌，以及其中的附加段与等节奏技法。
In i’mpulses, magnifying circles drawn on the Tierkreis scores are portals into its episodes. Each episode carries the rhythmic, gestural, melodic or harmonic qualities of the music highlighted in the circle, and the keyboardist moves freely up and down a page of overlapping staves, one hand sometimes continuing Stockhausen while the other enters i’mpulses.
在《i’mpulses》中，画在《黄道十二宫》乐谱上的放大圈，是进入其各个段落的入口。每个段落都承载着圈中被“标亮”音乐的节奏、姿态、旋律或和声特质；键盘手在一页相互重叠的谱表之间自由上下移动，有时一只手继续弹奏施托克豪森，另一只手则进入《i’mpulses》。
For scores, performance materials and other enquiries:
chungshih@chungshih.info
乐谱、演出资料及其他查询：
chungshih@chungshih.info